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The Mix control adjusts the balance between the original track and the samples being triggered, while the Output Level control sets the volume of the triggered sample or sample layers. Where the level of background spill and noise is very high, triggers can actually be generated before the original hit - again, something that can often be solved by lowering the Sensitivity value.
According to the designers, you may need to lower the Sensitivity value if you find kick drums causing double triggers, though I found that setting a longer retrigger time often solved this sort of problem. Where bleed from other drums exceeds the Detail threshold, you can set a lower Sensitivity to prevent it from generating triggers, but at the same time you may lose wanted low‑level detail if the performance has a very wide dynamic range, so this parameter needs to be set according to the drum track's original dynamics. However, there is also a Sensitivity control, which helps to minimise triggering on low‑level spill for signal levels above the Detail threshold. The Detail value is shown as a horizontal line across the display, representing an absolute level below which no triggers will be detected. Setting up Trigger is not unlike using a gate: you set a threshold or Detail value that distinguishes 'wanted' hits from spill and noise, then set a 'retrigger inhibit time' to prevent unwanted flam‑like retriggering directly after a hit. Hits resulting in a trigger are displayed with a small orange flag on top, and a red area to the right corresponding to the retrigger inhibit time, which is set using the large Retrigger dial.
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So as to capture only the intended hits, while keeping the dynamic range as wide as possible, the input level slider should be adjusted so that the loudest hits are close to the full screen height. This shows the incoming waveform from the drum track you wish to replace or augment. To the right of the browser is the main display. Trigger has its own, data‑compressed sample file format (.tci), but you can use third‑party drum samples as long as they are in WAV or AIFF format.
#Steven slate trigger 2 platinum black bird manual
Where sounds from different sets can't be guaranteed to be phase‑accurate, the manual tells you.
This arrangement permits up to six samples to be layered simultaneously, and the library includes phase‑accurate sample sets that can be layered without the risk of frequency cancellation. The drum samples are arranged in folders by type - kick, snare, toms and so on - and samples can be loaded into any one of six slots. A browser window lets you peruse your samples, load them, load existing presets and save new Trigger presets comprising the loaded samples and their settings. On first opening the plug‑in, you'll need to select a file path to the sample folders, after which they appear every time. Where your DAW supports the sending of MIDI data to processing plug‑ins, Trigger may also be used as a sample player for its included samples.
Using the supplied samples is often the preferred option, however, as the sets have been designed to minimise phasing issues when samples are layered.
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It can also output MIDI messages for triggering external sample players, but as some DAWs don't support the sending of MIDI data from processing plug‑ins, you can also use your own samples from within Trigger's player, and even set up your own multisample sets using the free Trigger Instrument Editor software, downloadable from the web site. Steven Slate Trigger is a drum‑replacement plug‑in that combines some clever hit‑detection algorithms with a library of replacement drum samples taken from the impressive Steven Slate Drums collection. Their latest product makes it easy to use these to augment or replace live drum parts. Steven Slate's drum samples are already a staple of rock and pop production.
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